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THE NEXT THING HE KNEW

 
When Michael was driving his Rolls while wearing a disguise, he was stopped by a police officer who thought the automobile "looks like a stolen car." (Of course, there is a prevailing racism among some police officers in America who routinely stop blacks who are driving expensive cars.) Michael didn't have his license with him. Worse, he had an outstanding ticket. The officer didn't believe he was the Michael Jackson, even when he removed his disguise. The next thing he knew, he was in the Van Nuys jail. Bill Bray bailed him out. Afterward, Michael said, "It was the coolest thing, ever. I never thought I'd go to jail. I loved every second of it."
 
~ J. Randy Taraborrelli

OVER AND OVER

 

Michael has said that, initially, after leaving the stage, he was disappointed with his performance. His plan, when he went up on his toes, was to simply stay there, suspended infinitely. Just as well that he didn’t; the house could not have handled it. As it was, they went nuts when he showed up at the after party, held at an indoor shopping mall across the street that Motown shut down and converted into a massive disco.

 

As his security team wedged him through the crush of excited well-wishers, Tops,  Tempts, Supremes and others pushed their way toward Jackson as if they themselves weren’t legends, as if they hadn’t made music that influenced and inspired this man. Chaos ensued. It was all Jackson’s bodyguards could do to turn him around and push him back out to his limo out front.

 

Those of us lucky enough to attend the taping had to wait weeks for the show to air. Would Jackson’s performance be all that we’d raved to anyone who’d listen? Yes, even to the Jacksons. Rebbie Jackson told me when the show aired, they, like other viewers across America, taped it off the TV. The next day, friends, entertainers and assorted dignitaries, acknowledging that the universe had indeed tilted, phoned, sent flowers and wired kudos. “People came by Hayvenhurst (the Jackson home in Encino) all day long,” she said. “It was as if someone got married or brought a baby home from the hospital. We played that tape over and over all day until it broke.”

 

And the day after Motown 25 aired, all retail hell broke loose.  At the height of its phenomenal sales history, the album was nationally selling half a million copies a week. With more than one million copies sold in Los Angeles aloneThriller demanded its own zip code.

 

~ STEVEN IVORY

ASTOUND

 
"Interestingly, Michael cannot read music. He writes his songs in his head, sings them onto a tape, and then hires musicians to put them down on paper. He is an incredibly musical person, however. The notes he imagines, and the way he hears them composed in song, often astound the most trained of musicians." ~ J. Randy Taraborrelli

CRUCIAL

 
Without the success of Off The Wall, there would have been no Thriller or Bad. Made in the years before Jackson could exploit his dancing talents in music videos, Off The Wall had to be exception musically to sell then-amazing seven million copies. Back in 1983, Quincy noted, “Michael has got all you need emotionally, but he backs it up with discipline and pacing. He’ll never burn himself out because he’s always on the case about knowing his direction and how he’d like to grow. He’d come in during Off The Wall and put down two lead vocals and three background parts in one day. He does his homework. Most singers want to do everything in the studio. They’re lazy. Michael Jackson is going to be the biggest star of the eighties and ninties.” It’s crucial to remember Quincy said that before Thriller.~ NELSON GEORGE

THERESA

 
At this time, a nineteen-year-old friend of Michael's, Theresa Gonslves (whom he first met in November 1974 when she went to Las Vegas to see the group for her sixteenth birthday), telephoned him to say she was going to New York for a visit. They made plans to see each other.
  "When I got to the apartment building, he told the doorman to send me up," Theresa recalled. "'Toya answered the door. She was irritated. 'Michael didn't tell me that the two of you made plans," she said. It was as if he was supposed to check with her before he made plans, which he hadn't.
  "So I asked 'Toya where he was, and she said that he was in the kitchen baking chocolate chip cookies. After Michael and I talked and ate the cookies, I took a look around. The suit had a balcony. Michael used to like to hang over it like he was going to jump. He loved acting like a fool to upset his sister. 'Toya had the most wonderful room, a real showplace with a huge bed and a mirror above it, a penthouse beedroom fitting a befitting a star. Michael had a small, simple bedroom with a twin-sized bed in it and a desk. I asked myself, Why does she have such a great room and he's stuck with this?"
One day, Michael returned from the studio very excited about a new structure that had been built for his character at the studio. "Follow me," he told Theresa. She followed him into his modest bedroom. As the two of them stood at his desk, he started showing her a scrapbook of photographs of the movie set.
  "So what do you think?" Great, huh?" Michael asked.
  "Yes, you're so lucky," Theresa enthused.
  Michael closed the book and looked into Theresa's eyes. thoughtfully. He tilted his head and leaned over to her, awkwardly. At that moment, LaToya walked into the room. "What's going on in here?" she wanted to know. Michael pulled back nervously.
  "So anyway, I uh..." he stammered.
  Years later, Theresa would recall, "I wanted him to kiss me so badly. And I know he would have if 'Toya hadn't surprised us."
 
~ The Magic, The Madness, The Whole Story, J. Randy Taraborrelli

I HOPE YOU DON'T GO

 
By 1972, the older Jacksons had left a long trail of broken hearts as they toured the country, city by city. Then they rented an apartment near their house in Encino, where they could hang out with their female conquests away from Katherine's scrutiny.
  Rhonda Phillips was one of "those" girls. Today, she is a fourty-nine-year-old divorcée who lives with her three children in Long Beach, California. Back in August 1972, she was eighteen when she met her idol, Jackie, who was twenty-one. She had been selected from the audience by one of the group's road managers when the brothers were on stage at the Forum in Inglewood, California. Backstage, Jackie gave Rhonda a slip of paper with an address on it and told her to meet him at that location in an hour. As she mulled over his offer, she sensed someone behind her, and turned around. It was Michael. "He was just a cute little guy," she said. "He had big teeth, a flat, wide nose, a perfectly combed natural; he looked like any pretty fourteen-year-old black boy you'd find in the neighbourhood. He noticed the slip of paper in my hand."
  "Did Jermaine give you that?" he asked.
  "No, Jackie."
  "He wants you to meet him, doesn't he?" he asked.
  "Yes," Rhonda said. "I don't know if I should –"
  Michael cut her off. "Don't," he said. "I don't think you should meet him."
  Rhonda asked Michael why she shouldn't go. She remembered his answer: "My brothers don't treat girls too good. They can be mean. Please, don't go."
  Rhonda remembered thinking that Michael was only fourteen; what could he know? She changed the subject and asked him for his autograph. She thrust forward the piece of paper Jackie had given her, he scribbled on it and handed it back to her.
  The group's representative had arranged the cab fare for Rhonda to meet Jackie. She was taken to the Jacksons' apartment in Encino. As the car pulled up to the curb, she happened to turn over the slip of paper in her hand and realized that Michael had written more than just his name on the back of it. There was a message: "I hope you don't go." It was signed "Michael Jackson."
  She went inside the apartment complex, found the Jacksons' and had sex with Jackie. "I won't be able to see you after this," he told her when they were finished. She began to cry.
  "Suddenly, I was ashamed," she recalled many years later. "He held me for a little while and then told me that someone from Motown would be waiting outside to take me home. He kissed me, and I left. The whole thing took less than half an hour."
  As Rhonda was walking down to the street, a white Rolls-Royce pulled up. Michael and Marlon were sitting in the backseat. The car pulled up to the curb. The boys got out and Marlon ran past Rhonda up to the apartment. Michael came over to her.
  "What are you doing here?" he asked, his tone accusatory. "Were you up there with Jackie?"
  "Yeah, I was," she answered.
  "Did you have sex?" Michael wanted to know.
  Rhonda began to cry.
  Michael shook his head sadly. "I'm sorry," he said. "Did he make you do it?"
  "No, of course not. I wanted to."
  "You wanted to?" Michael asked, seeming astonished. "But why would you want to?"
  Rhonda got into the car. She rolled down the window. Michael was still standing at the curb. "Are you gonna be all right?" he asked.
  "Yeah, I will be," she answered.
  "By now, I was sobbing," Rhonda recalled. "I rolled up the window and the car pulled off. I looked out the back window and the last thing I saw was Michael Jackson standing there waving goodbye to me."
 
~ The Magic, The Madness, The Whole Story, J. Randy Taraborrelli

AND I BELIEVED HIM

 
"This was an emotional song that menat a lot to me when I wrote it. I was worried that Michael might not understand the lyrics of pain and heartbreak. I recall him asking about one of the lines. 'What's this word mean? Anguish,' he asked me. I explained it. He shrugged his shoulders and just sang the line. 'There's that anguish, there's that doubt,' he sang. And I believed him." ~ CLIFTON DAVIS (om låten "Never can say goodbye")

HOW DO YOU DO THAT?

 
"I remember him being talented, yes," Etta James said of Michael, "but polite and very interested, too. I was working my show, doing my thing on stage, and as I'm singing 'Tell Mama,' I see this little black kid watching me from the wings. And I'm thinking, Who is this kid? He's distracting me. So I go over to him in between songs, while the people are clapping, and I whisper, 'Scat, kid! Get lost. You're buggin' me. Go watch from the audience.' I scared the hell out of him. He had these big ol' brown eyes, and he opened them real wide and ran away.
  "About ten minutes later, there's this kid again. Now he's standing in front of the stage, off to the side. And he's watching me as I work."
  After the show, when Etta was in her dressing room taking off her makeup, there was a knock on the door.
  "Who is it?" she asked.
  "It's me."
  "Who's me?"
  "Michael," the young voice said. "Michael Jackson."
  "I don't know no Michael Jackson," Etta said.
  "Yes, you do. I'm that little kid you told to scat."
  Etta, a robust black woman with dyed blond hair and a big, booming voice, cracked the door open and looked down to find a nine-year-old gazing up at her with large, wondering eyes. "Watchu want, boy?" she asked.
  In a manner that wasn't the least bit timid, Michael said, "Miss James, my father told me to come on back here and 'pologize to you. I'm sorry, ma'am, but I was just watchin' you 'cause you're so good. You're just so good. How do you do that? I never seen people clap like that."
  Etta, now flattered, smiled and patted the boy on the head. "Come on in here and sit with me," she said. "I can teach you a few tricks."
  "I don't remember what I told him," Etta recalled, "but I remember thinking as he was leaving, Now, there's a boy who wants to learn from the best, so one day he's gonna be the best."
 
~ The Magic, The Magness, The Whole Story, J. Randy Taraborrelli

INSEPARABLE

 
Marlon wasn’t like our other kids; when he was little he used to play very often alone and didnt like to share, totally introverted, The lost of his twin might have been the main reason, because when Michael was born, Marlon started to be more open and felt soon good with his brothers and sisters, especially Michael, he, i think, found in him another twin… and they soon became inseparable. ~ Joe Jackson

HANDS

 
"She used to say I had beautiful hands. And I always wondered why... Don't all hands look alike?" ~ Michael talar om Rose Fine.

THAT'S ABOUT THE BEST COMPLIMENT

 
“One of my friends said, ‘No matter how tough you are, Michael Jackson will have the biggest gangster in the front row screaming like a bitch at his concert.’ That’s about the best compliment you can give”. ~ ICE-T

BRIGHT

 
"I'm part of the Thriller generation; to me, a zombie will always mean Michael Jackson in a bright red bomber jacket." ~ J.K. ROWLING
 
(Detta är också anledningen till att hon inte inkluderade zombies i Harry Potter-böckerna. Zombies, för henne, var så hårt förknippade till MJ)

CHRIS TUCKER SHARES A STORY

 
Alltsåååå jag älskar dig Chris Tucker! Tack för att du var en suverän vän, som till och med vittnade för hans försvar i rättegången 2005, trots att din manager och advokat rådde dig att inte beblanda dig i det... Du var en av de få kändisar som offentligt vågade säga att du trodde på hans oskuld.

ELIZABETH OM MICHAEL

 
Elizabeth berättar för Johnny Carson om hennes vänskap med Michael.

SANNINGEN OM 2003 TILL 25/6 2009

 
Hur länge som helst, känns det som, har jag suttit och skrivit av detta från Bill och Javons, livvakternas, bok "Protecting Michael Jackson in his final days", helt enkelt därför att det är så viktigt. Anledningen till varför jag skrev från så tidigt som 2003, det beror på att jag tycker Martin Bashirs intervju förstörde Michaels image något så fruktansvärt, och anledningen till att jag skrev "till 25/6 2009", ja, det beror på att efter den dagen brakade tystnaden ner och röster från kändisars yttrande ord, som Michael hade desperat behövt höra i livet, hördes till slut (ni kan youtuba i princip vilken kändis som helst för att höra deras kärlek och respekt för honom efter hans bortgång) och även media började spegla Michael i avsevärt bättre och rättvisare ljus. Så tyst till alla som ljudligt tycker eller ens någon gång tänkt tanken att Michael "överrepresenteras" idag på musikgalor, eller av kändisar och media. För övrigt behöver ni läsa den här boken om ni inte har gjort det.
 
 
Javon: I was fine with the people who just said, "Well, he was a great entertainer and we'll never forget his music." That didn't bother me. But I couldn't stand all the celebrities coming out of the woodwork, trying to act like they were his best friend, like they were talking to him on a daily basis. People would say stuff like, "Yeah, I was chilling with Michael about a year ago..." And I'd just stare at the TV like, No, you weren't. I was with him the whole time, and you weren't there.
  I knew this funeral would be fake. I didn't want to be around the fakeness. I knew I wouldn't be able to keep my composure. I told Bill, "If I go, I'll hurt somebody. For real." I wanted to pay my respects and have my one-on-one time with Mr. Jackson, but I knew it wasn't going to be like that.
 
Bill: Part of me didn't want to go, either, for the same reasons, but I was more torn about it than Javon. I felt like it was important to attend.
  The morning of the memorial, I headed over to the SLS Hotel in Beverly Hill, where they were distributing the tickets. I saw a bunch of people who'd won tickets on the radio – they were doing giveaways. You could win a spot at Michael Jackson's memorial. That really bothered me.
  Outside the Staples Center, it was crazy. Police everywhere. Blocks and blocks cordoned off. I parked in a garage, must have been about ten blocks away, and I walked. His fans were lining the streets behind the police barricades, holding up signs and flowers. People were dressed like him, with the mirrored sunglasses and the fedora. Just thousands of people.
  Once I got inside and got to my seat, I could tell right away that this was going to exactly what we thought it was going to be. This wasn't going to be a real, genuine thing. It was going to be Hollywood, a place to be seen, a who's who. I looked around and saw all of these celebrities. People were talking, laughing socializing. Even the Kardashians were there. Really? Javon would have lost his mind if he'd seen that.
  There were about 1,500 people in the section I was in, and I only saw about fourty, fifty people who were actually, genuinely, in mourning. I saw the girl with the red car who used to always park outside the Monte Cristo house. She was there. When I saw her, I said to myself, that's who should be in here. They should take all these fake-ass people and put them out in the streets, open up the doors, and let his fans in. They're the ones who deserve to be here for this. His fans were the only ones who never deserted him. Whenever the fans said, "We love you, Michael," he'd always say, "I love you more." And he meant it. They meant more to him than he did to them. He cared for them so deeply that in some ways they constituted the only sustained, committed relationship in his life – the only real love affair."
  Once the program started, I really didn't pay too much attention to what was going on onstage. I was more lost in my own thoughts. I felt like the people up there were all saying good-bye to a different person than I was. All the artists that were performing – Usher, Mariah Carey, John Mayer – I didn't pay them no mind. I really didn't. This wasn't a memorial. It was a show. That's exactly what it was.
  At the end, they brought the Jackson family onstage. Some of the brothers said a few words, and then someone said, "Paris wants to say something." When I heard that? I went straight for my coat pocket and pulled up my sunglasses and put them on. I knew I was going to water up the minute she started to speak. She stepped up and they brought the microphone down for her. She started talking and when she said, "Daddy was the best father you could ever imagine," I just lost it. I completely lost it. I didn't even hear the rest of what she was saying. It was too painful. It was words I didn't want to hear.
  Then she started to cry, and the moment she did that, I realized I'd never seen her cry before. I'd only ever seen that little girl cheerful and smiling and laughing. Prince and Blanket too. Prince cried when he had to leave his dog in New Jersey, but that was the only time. Other than that, I'd never seen those children crying or hurt or upset. They were just the happiest kids. They loved their daddy and loved each other. They were the happiest family, always.
  After Paris spoke, Marlon Jackson came up to thank everyone for coming. He and the other brothers went over to the coffin to carry it offstage. 'Man in the Mirror' started playing, and people were shouting, "We love you, Michael!" Looking at all that going on, there was one memory that kept running through my mind, a conversation I'd had with Grace [the nanny] back at the Monte Cristo house when I first started working there. She and I were in the garage. I was putting together some of the security equipment, and Grace was at the little workstation she'd set up. Mr. Jackson had told her to get in touch with somebody. She was getting frustrated and she said, "The boss wants me to get in touch with this person, and I keep leaving messages, but nobody's calling me back. It's like he forgets sometimes that some people don't want anything to do with him after all this mess."
  I said, "What mess? What are you talking about?"
  "The trial," she said. "Since the trial, a lot of people just don't call back anymore."
  She was giving me the heads up, filling me in on how things worked, like she often did. She started telling me about the days right after the trial was over. "After he was acquitted," she said, "we had a party at Neverland for him to celebrate, and nobody came."
  "Nobody?"
  "A few people," she said, "but not many."
  She said they'd put together a guest list of all these friends and people Mr. Jackson had worked with over the years. They invited close to three hundred people. Maybe fifty showed up. And a lot of the people who did come were people that worked for him. People that worked the grounds at Neverland. People from his lawyer's office. People who were paid to be there. Everyone else called and said they couldn't make it or they had other things planned. "And he knew," Grace said. "He knew why they didn't come. People called him and told him that they loved him and that they were praying for him, but very few people would go public and say that they believed him. A lot of people act like his friends but they're not really his friends. If he's not making them money, they're not really around."
  When that trial was over, Mr. Jackson really wanted to believe that his life would be like it was before. He thought the world would see his was innocent, that he'd been wrongly accused, and then everyone would come back to him and love him again. But that didn't happen. It broke his heart. We keep having all these trials and depositions, people going around and pointing fingers and asking questions, everybody suing everybody, all this bickering over who or what killed Michael Jackson. To me it's perfectly obvious what killed Michael Jackson.
  As I sat there in that arena, looking at all the people packed into the seats around me, I couldn't get that conversation with Grace out of my head. I just wanted to be alone with my thoughts, to have my own moment to grieve. But I couldn't. Because all I felt was anger. That overtook everything else. I sat there with all these people getting up onstage and talking about what a great friend Michael was and how much he meant to them, and the only thing I could think was: Where were they? Where were they when days went by and the phone didn't ring? When he couldn't sleep at night and had no one in the world to talk to? Or when it was Paris's birthday and no one showed up to watch her open presents, except the nanny and a couple of security guards? Where were they when he was getting turned out of hotels and his kids were living out of suitcases and we didn't even have money to put gas in the vehicles? Where were these people then?
  Where were all these people when he needed them?             

PATIENCE AND UNDERSTANDS

 

“Working with Michael is always a pleasure and a challenge. He is a perfectionist and demands the best. But you would expect nothing less from him. His standard of professionalism has always been of the highest level. Michael always searches for the newest most exciting sounds and qualities in recording, and yet always has patience and understands the time consuming process of exploring developing new sounds.

 

I have had the opportunity to work with Michael in a variety of situations, and have worked hard to find or develop new technologies to address the creative ideas he wishes to pursue.”

 

~ MATT FORGER

THAT "TAIL"

   
 

Michael wore the uniform [the gold suit] during his opening number of the Dangerous Tour. Americans were upset about the “tail” that was caused by the adjustable strap on the back of Michael’s fencing shirt. Fencing shirts buckle at the bottom beneath the tailbone, so the tighter the strap fastened, the longer the tail hung. “It stuck out”, or it “looked like a mistake” and were “distracting”.

 

But nothing we did for Michael was a mistake. That is how the traditional fencing uniform is worn. In fact, that “tail” was Michael’s favorite part of this outfit. It moved like crazy when he danced and became an extention of him, but most of all, it was the detail he wondered if anyone would notice. And to his pleasure, they did.

 

~ MICHAEL BUSH, DRESSING MICHAEL JACKSON

MOLECULE AND ATOM

 
"When Michael Jackson danced, every cell in his body danced. Every molecule and atom danced." ~ KEYA MORGAN

I COMPLETELY SEE WHAT HE'S DOING

 
You know how you either grow up in a Michael Jackson house or a Prince house? For me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him. I don’t care what people say about him now because he’s a fucking genius. That’s it – the end! He was robbed of his childhood, which is why he surrounds himself with children. When you’re around kids you can be a little kid yourself and pretend that life is magic and you don’t have to be one of those sweaty people going to work every day. I completely see what he’s doing.~ AMY WINEHOUSE

CREAMY

 

We older brothers had a way of describing how far we got with a girl: from “first base” (the kiss) to “second base” (touching/clothes off) to “third base” (the sex) and, in my hotel room that night, I was an L.A. Dodger running wild; eyes closed, on top of this girl, kissing and touching with a freedom I didn’t think possible. “That feels really good…” she said. I was getting serious, she was groaning. Third base was in sight. I had one hand stroking her face, and the other on the mattress beside her head.

 

"I love how you stroke my thighs," she continued, "…you’re real gentle…" I’m not stroking your thighs. “…it feels good,” she whispered. I peeked open my eyes and maneuvered my head to take a sly look down the bed, and that’s when I saw it—Michael’s arm, reaching up and over from underneath the bed, his hand circling her thigh.

 

"MICHAEL!" I jumped up, the poor girl was mortified and Michael, chuckling, was already scrambling for the door. I could have killed him, not only because he was hiding there the whole time, but because he heard me whispering all these sensual, sweet nothings that he would tease me with for weeks after. I refused to speak to him that night. When we turned out the lights and he wished me goodnight, I said nothing. He waited a few minutes in the dark and then brokered the peace.

 

"She got some real creamy thighs!" he said.

 

And we both burst out laughing.

 

~ JERMAINE JACKSON, YOU ARE NOT ALONE

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