Mitt hjärta brister när han säger "I think you're very sweet, generous... kind people" för han började nästan gråta. Vi kan inte ens ana hur svårt han hade det under och efter rättegången. Jag har läst att han ofta vaknade skräckslagen för han trodde att rättegången inte ännu var över. Så mycket ondska.
“Prince and Paris changed me in so many ways. I learn as much from them as they learn from me. You learn about having a good heart and being a good-spirited person. And the way I am, I try to imitate them. People always say, “Act your age.” But I try and act more like children because they are the innocent, they are God-like, they are pure. I try to be as humble and sweet as they are.”
Nu är Neverland till salu. Spekulationerna var sanna, att det kanske skulle säljas, och nu är det på riktigt. Det säljs för 100 miljoner dollar (ungefär 850 miljoner svenska kronor). Michael köpte ranchen 1988 för 20 miljoner dollar. Läs mer här. Det är så sorgligt... Och arg blir jag då det står på Forbes att ranchen har bytt namn till Sycamore Valley Ranch (VARFÖR?!). Jag var väl naiv och trodde att den framtida ägaren vill göra någonting i hyllning till Michael... Jag hoppas fortfarande att det blir så. Åtminstone att de inte förändrar för mycket, allra minst den vackra grinden, ingången, för den vill jag fara och se någon gång! :'(
"It’s just a fun place. I love it. And I will always love it. And I will never ever sell Neverland. Neverland is me… you know? It’s – it represents the totality of who I am. It really does… I love Neverland.” ~ MJ
Här kan ni läsa några citat av Michael om Neverland.
Var i Rom i veckan (ordnade tidsinställda inlägg under dessa dagar) och såg det här. Blev glad! Fick gå förbi den varje dag. David LaChapelle är tydligen känd för sina fotografier inom mode och reklam, han är även regissör.
"I could never dance like him. He had everything. He was where I realized can do-ness because he never lived with boundaries. He kind of lived with no time… I’ve not met many people like that, who don’t perceive parameters.
Sometimes they go too far and off the deep end but Michael was teetering on that line of genius and insanity and you’ve never seen anyone walking that tightrope for so long and he did. That man was a special one."
Chris Tucker : I see him every blue moon because he’s all over the world. Sometime we bump into each other when we are traveling. Last time it was in London and I knew Michael was in my hotel because everybody was outside yelling “MICHAEL MICHAEL” and I was mad because they were yelling at MY window, so I said: Michael is on the other side of the hotel!
Chris Tucker & Jackie Chan intervju 2007 @ Jimmy Kimmel
“I met Michael more than 20 years ago; I went to teach him meditation at Neverland. He was very shy, very introverted, but very curious about consciousness and spirituality.
You know, while the world called him weird, he wondered why the world was so weird. He’d ask me, Why do people go to war? Why is there genocide? What’s happening in Sudan? Why have we killed the environment? Why is there racism and bigotry and hatred and prejudice?
We talked about starving children in Mumbai, and he would start to cry. Or we’d start to talk about the trophy-hunting in Canada of the grizzly bear, and he would start to cry. In his mind, the world was psychotic.”
Har aldrig sett den här bilden tidigare. Han är så vacker. Det var hans val att täcka sin hudsjukdom med smink, men tänk bara vilken skillnad det hade varit om han hade varit mer öppen om den. Alla de som tror att han inte ville vara svart... Den här bilden får de att hålla tyst.
“I remember the last thing we said to each other was 'I love you' and his last line was 'I love you more!' and that was the last thing he said to me” ~ Marlon Jackson
While on tour, the Jacksons would reserve and secure a complete floor of the hotel and keep their individual doors unlocked, resulting in a sort of clubhouse atmosphere full of practical jokes. In this shot I had just entered Michael’s room and woken him up with the flash of my camera. Michael vowed that he would pay me back for the merciless wake-up call, and he did — Before that evening’s concert, Michael instructed me to be at the left side of the stage when he performed ‘She’s Out Of My Life’; he said he wanted to do “something special” and he wanted me there to photograph it. He wouldn’t say what — “Just be ready to get the shot.” In the middle of the song, he walked toward the foot of the stage, stopped directly in front of me, made eye contact, nodded his head slightly, signalling me to get ready, then dropped to the floor in anguish and cried out unexpectedly, “I’m so lonely — will somebody please come and touch me? I need you, come to me.” A huge wave of girls surged forward, and I was pinned between the girls and the stage, unable to even free my arms to take the shot. I looked up to see Michael smirking, a little twinkle in his eye. After the show in the limo, I said, “Oh, so you think you’re cute. I was crushed out there!” Michael replied, “What are you talking about?” Me: “You know what I’m talking about, Michael. You told me to stand in front of the stage and then called out to all those girls to rush the stage and trap me.” Michael: “You’re crazy, Todd. I don’t know what you’re talking about.” After more pressing, he finally said, “Todd, I don’t plan these things. The spirit just moves me and I do it without thinking.” — Todd Gray, fotograf
“There was a beehive up in the sound stage and they were falling onto that round circle thing and we were rehearsing. Michael came in and we were running, he was a little bit scared and Tony (Tony Fields) just went up and stamped it thinking ‘I’ll save you” and Michael was heartbroken because he killed a life. He said: ‘That bee had a soul too Tony’“
"I found him to be the hardest worker of anyone that I had worked with and I was fortunate to do many jobs, so I’ve worked with everybody and he just kept saying to me: ‘Let’s do again, let’s do again’. And if he did something incorrect he could be told. You know, a lot of divas can’t be corrected. I remember at the beginning of the shoot one day he had this, like a chocolate bar and I’m allergic to chocolate. I was like: ‘What is it?’ and he goes: ‘Oh, it’s carob’. At that time I didn’t know what carob was. I tasted it and I said: ‘Oh my God, I love that!’ Well, every day from that tiny conversation, every single day, he had a chef find me on the set and bring me a carob bar”
(Här kan ni lyssna till intervjun med dansarna bakom Captain EO)